Can You Upload More Than One Video at a Time on Facebook
Music videos are the most remarkable works of fine art of the modernistic world. The MTV generation of the '80s and '90s watched centre-catching clips from the creative pioneers who launched the medium. Nowadays, artists strive to make videos that eclipse boundaries already broken in hopes of gaining attending.
More music videos become released all the time, only just a select few take been powerful enough to spark controversy, launch careers and withstand the examination of time. These are some of the about iconic music videos of all time.
Michael Jackson – "Thriller" (1983)
Michael Jackson's most iconic video is a mini-moving picture that runs for 14 monstrous minutes. The chilling spectacle is an homage to sometime horror films mixed with camp and an unforgettable dance routine with a horde of zombies. It's Michael Jackson at his finest.
The video made "Thriller" an essential song for every Halloween party, and it lives on via the popular "Michael Jackson eating popcorn" GIF. It's and so iconic, in fact, that it'due south currently the only music video preserved in the Library of Congress' National Moving-picture show Registry.
Madonna'due south legendary musical career explores the complicated relationship betwixt sex and religion, and no music video in her career ameliorate illustrates her life'south piece of work than "Like a Prayer." The powerful video explored injustice in the prison system, interracial dearest and spirituality.
It would be an understatement to say the video didn't cause controversy. Critics hailed information technology for its symbolic imagery, only family unit and religious groups were horrified. Even the Vatican condemned Madonna's video, criticizing its "cursing use of Christian imagery." In response, Pepsi notoriously canceled its multi-meg dollar entrada that used the song.
Kittenish Gambino – "This Is America" (2018)
Gambino's rap/gospel video is a gripping meta interpretation of the social injustices that have plagued African Americans for years. The artist seamlessly weaves through protestors, shooting sprees, constabulary brutality, all the while sidetracked with a grouping of dancers fixated on the latest dance moves.
The net spent weeks watching the video, attempting to decode its glimmer-and-you'll-miss-it symbolic imagery. Endless remember pieces afterward, the video cemented the song as a modern-solar day protest canticle against gun violence, police brutality and discrimination.
George Michael – "Liberty! '90" (1990)
In 1990, George Michael was at the elevation of his game. His music videos were in heavy rotation on MTV, and his albums were selling out across the world. But when information technology came fourth dimension to make the video for "Freedom! 'xc," Michael had had enough of the popular music rat race.
He grew tired of the pressures of fame and wanted to take a pace dorsum from the spotlight. Instead of seeing George Michael, fans saw supermodels Naomi Campbell, Linda Evangelista and Cindy Crawford singing his song, as symbols of the pop legend burned in flames.
Missy Elliot – "The Rain (Supa Dupa Fly)" (1997)
When information technology comes to outrageous music videos, no one comes close to Missy Elliot. She combines surrealist visuals with colorful wardrobes and gravity-defying dance routines. She has a catalog of amazing choices, but her breakout video, directed by Hype Williams, remains the rapper'due south most iconic of all time.
In the video, Missy sported her glittered helmet glasses and patent leather accident-upward conform, also lovingly referred to as her "trash bag chimera." The video as well filled the screen with neon landscapes, pelting dancing in Timberland boots and countless celeb cameos.
Beyoncé — "Single Ladies (Put a Band on Information technology)" (2008)
"Unmarried Ladies" had no costume changes, no set changes and very simple choreography. It sounds similar a recipe for something boring, but the less-is-more than arroyo made Beyoncé's moves nothing short of captivating. Fans beyond the world went wild over the dance, and many wannabes uploaded their own versions on YouTube to the delight of viewers.
Beyoncé went on to win large at the 2009 MTV Video Music Awards, snagging the coveted Video of the Year award. Notwithstanding, she lost the Moonman for All-time Female Video to Taylor Swift, prompting a very drunkard Kanye Due west to interrupt Swift during her acceptance oral communication on Beyoncé'due south behalf.
Peter Gabriel – "Sledgehammer" (1986)
Gabriel'south "Sledgehammer" was a trippy tour de strength. In the video, the British rocker danced his fashion through playful vignettes of claymation, pixilation and terminate-move animation. In reality, he had to lie nether a canvass of glass for 16 hours and so they could film the video one frame at a time.
His efforts paid off. The video was a marvelous brandish of creativity, weaving through crazy scenes seamlessly. It went on to win nine MTV Video Music Awards in 1987, the near awards a video has always won.
Ix Inch Nails – "Closer" (1994)
This creepy clip took place in what can but be described as a 19th-century doctor's role with a bear upon of S&1000. Ix Inch Nails frontman Trent Reznor establish himself blindfolded, gagged, windswept, handcuffed and surrounded by various dismembered animals.
The video was too explicit for Television receiver, so several scenes were blocked past a black screen that read "Scene Missing." The video was later voted number one in a VH1 Classic poll for "The Greatest Music Videos of All Time."
Janelle Monáe feat. Grimes – Pynk (2018)
Monáe doubled down on cocky-dearest and female empowerment at the coolest desert party of all time. In the 2018 video for "Pynk," women were prophylactic to exist themselves — and men weren't necessary. The queer representation and anatomically-diverse lady pants were a visual breath of fresh air.
The video premiered around the time Monáe came out every bit pansexual, which was a big moment for the very private vocalist. For that reason, the video's visuals and message made the song an anthem for lesbian, bisexual and queer-identifying women.
The Smashing Pumpkins – "Tonight, This night" (1996)
The Keen Pumpkins usually made heavy metal goth rock, but this song was different. "Tonight, Tonight" was an orchestral, climactic ballad with a video that harkened back to the silent film era.
The video's primitive effects and turn-of-the-century costumes were a surprising visual counter to the band's audio. It was a significant visual departure for the band, and it paid off in droves. Silent films were suddenly all the rage, and the band won half-dozen MTV Video Music Awards.
O'Connor took viewers through an emotional rollercoaster in her emotional Prince cover. The video mostly consists of a closeup shot of her face as she sang through her anger and sadness. Toward the end of the video, two existent tears rolled down her cheeks.
The clip collected three Video Music Awards in 1990, including Video of the Yr. O'Connor inspired other artists, including D'Angelo and Miley Cyrus, to look into the camera for their music videos, just nothing compares to Sinéad'due south devastated gaze all these years later.
OK Go – "Here It Goes Again" (2006)
OK Go made a name for themselves in the early 2000s with their depression upkeep viral videos. Their first video for "Here Information technology Goes Over again" was a complex dance routine on treadmills performed in i accept. It was their showtime gustatory modality of virality and inverse the music video game forever.
YouTube was condign the next MTV, and musicians looking to make a wave had to think fast. OK Go had the idea to create music videos with the intention of trending on the cyberspace. They kept the aforementioned formula intact for all their videos that followed.
A-ha – "Have On Me" (1984)
A-ha made music video history thanks to the animation style known as rotoscoping. Animators depict over motion picture footage frame by frame to produce realistic activity with a cartoon look. It sounds like a lot of work — and it is — just it paid off for the Norwegian synthpop band.
The video'due south romantic storyline and whimsical animation style made MTV history. The group won half dozen Moonmen at the 1986 Video Music Awards and amassed over 930 million views on YouTube. Bands similar Weezer and Paramore have created their own video tributes using the iconic style.
Christina Aguilera, Lil' Kim, Pinkish, Mya and Lil Kim — "Lady Marmalade" (2001)
It'southward the ultimate popular music collaboration. These four powerhouses joined forces with a lot of lingerie for a cabaret like no other. Like a circus on acid, each performer showed off tiny costumes, sultry dance moves and outrageous hair and makeup.
The alloy of hip hop, pop and French cabaret was a recipe for success. The video won the 2001 MTV Video Music Honor for Video of the Year and the 2002 Grammy Award for Best Pop Collaboration with Vocals.
2Pac feat. Dr. Dre – "California Love" (1995)
Burning Human meets Mad Max in 2Pac and Dr. Dre's futuristic homage to their home state of California. Filmed inside the bodily Thunderdome from Mad Max Beyond Thunderdome, the powerhouse rap duo threw a postal service-apocalyptic rave in the desert for the video.
Anybody in this video'due south twisted future drove giant jeeps and wore steampunk armor. The sepia-toned, desert visuals make the video wait futuristic to this twenty-four hours, unless you've ever been to Burning Man. So it'southward just another day at the Thunderdome.
Pearl Jam – "Jeremy" (1992)
Pearl Jam'southward "Jeremy" was a spooky illustration of loneliness and depression. The troubled lead, Jeremy, moved through frozen family unit members and classmates as the music intensified. Strobe lights flashed as words similar "problem" and "ignored" appeared, pushing Jeremy to his breaking point.
In the video's unedited climax, Jeremy reached for a gun in his desk and shot himself. MTV restricted the most violent parts from airing, and an culling version was released. The video was still powerful afterwards the edits, but Pearl Jam stopped making videos for years following the controversy.
Outkast – "B.O.B." (2000)
Outkast has so many iconic music videos that it'southward hard to selection just 1. "Miss Jackson" saw Andre 3000 and Big Boi salvage a house from flooding every bit animals bounced their heads to the music. "Hey Ya!" offered a Beatles-style operation on live TV.
But none of Outkast'due south other videos compare to "B.O.B.," their hip hop opus on psychedelics. The rap duo celebrated their customs while expressing their unique individuality. No one could mix technicolor suburbia, bondage–clad Bond girls and gospel choirs quite like Outkast.
Michael Jackson and Janet Jackson – "SCREAM" (1995)
The iconic Jackson siblings hopped aboard a spaceship for a $vii million ride into history. The video for "Scream" earned the Guinness Book of World Records title for the most expensive music video ever made. The video gave Michael a chance to retaliate (angrily) against the media.
The spaceship featured a pick of rooms for the brother-sister duo to relax, just they had other plans. Instead, the Jacksons let out their aggressions and danced with a vengeance. Information technology was a complicated time in the Male monarch of Popular's controversial career, and the video proved information technology.
Jamiroquai – "Virtual Insanity" (1996)
Jamiroquai's singer Jay Kay takes viewers on a ride with the most disruptive dance sequence in music video history. Performed in a white room with a gray flooring, Jay Kay sang the vocal as the flooring appeared to motion while the room stood still.
Viewers and critics agreed that this was a stunning display of special furnishings. Jay Kay'south baroque dancing helped a little besides. The video won four Moonmen at the 1997 Video Music Awards, including Video of the Yr.
Sia – "Chandelier" (2014)
Before making it big as a pop singer, Sia was a talented songwriter for big-proper name acts like Rihanna and Katy Perry. Years after releasing her own indie music, Sia broke through with 1000 Forms of Fearfulness. The only problem was she was afraid of the attention.
Enter dancer Maddie Ziegler. Instead of Sia starring in her ain video, the young dancer donned a blond wig and danced through Sia's powerful vocal. The choreography fit the song perfectly, and Sia enjoyed the spotlight from a safe altitude.
Nirvana – "Smells Like Teen Spirit" (1991)
The vocal ushered in the grunge movement, but the video for "Smells Similar Teen Spirit" ushered in the look. Get-go-time manager Samuel Bayer took a typical loftier school concert and turned it into a total riot. What else would you await from a schoolhouse with cheerleaders sporting agitator symbols?
The grunge rock movement paired well with a general aloofness toward society, and the video exemplified that. In fact, the students shown in the video were really bored later on filming the video for several hours.
TLC – "Waterfalls" (1995)
The clouds. The water. Those matching pastel pants! TLC were aquatic muses with a warning for the world in their iconic "Waterfalls" video. T-Boz's raspy voice offered 2 tales of gang violence and dangerous sexual practice every bit viewers watched the stories unfold.
Not fifty-fifty Left-Eye's timeless rap could save the characters from making the wrong decisions. By the end of the video, T-Boz, Left-Eye and Chili appeared liquified adjacent to an actual waterfall — and danced their way into '90s history.
Kendrick Lamar – "HUMBLE." (2017)
Lamar made music video history with the release of his spiritually charged video for "Humble." The video started with Lamar dressed like the pope, looking somber in a cathedral. He later recreated Leonardo da Vinci'due south 15th-century painting The Last Supper, with Lamar, naturally, sitting in Jesus' chair.
In between religious visuals, Lamar played with money, golfed in an underpass and stood surrounded by men on fire. Critics hailed information technology as a critique of society'southward focus on consumerism. Perchance we should all "sit down and be humble."
Mariah Carey – "Honey" (1999)
Mariah Carey was topping the charts with her pristine prototype for years, only that came to a screeching halt in 1999. Something was different well-nigh the elusive chanteuse with the release of "Beloved." The squeaky clean vocalizer spent the video diving in a bikini and dancing way more suggestively than ever before.
Carey was in the midst of divorcing her music executive husband, Tommy Mottola. The video was a provocative pivot for the diva and a not-and so-subtle nod to her divorce. In the video, she escaped captivity from a wealthy man's mansion and began the residuum of her life equally a free, liberated woman.
Guns N' Roses – "November Pelting" (1992)
The video for Guns 'N' Roses booming ballad "November Pelting" featured the nearly rock n' roll wedding of all time. In the video, lead singer Axl Rose married his then-girlfriend Stephanie Seymour, surrounded by gothic candles, cigarettes and hairspray.
Between shots of the wedding reception, viewers watched in high-def as the band performed "live." The $1 million video ended in despair after nine beautiful minutes. Rain poured down during the reception, which and then segued into shots of Seymour's funeral. Information technology's disruptive, but yet epic.
Rihanna & Calvin Harris – "Nosotros Found Love" (2011)
Music videos depicting relationships gone wrong are a dime a dozen. However, director Melina Matsoukas created a relationship rollercoaster ride. Rihanna fought, kissed and danced through her relationship with her boyfriend before leaving him in a pool of drugs and alcohol.
The video used visual cues from films like Trainspotting and Requiem for a Dream to emphasize their cluttered love. It won the Grammy Honor for Best Short Grade Music Video and the VMA for Video of the Twelvemonth.
Queen – "Bohemian Rhapsody" (1975)
Before the regular release of music videos, at that place were promotional videos. Also known as "pop promos," the videos played on Television receiver stations when the bands couldn't exist there to perform for the cameras. Queen specifically wanted to produce their video then they could avoid lip-syncing to their song on Top of the Pops.
It turned into more than a performance clip of the band; it was an creative statement. The video is i of the master catalysts for the creation of MTV and the creation of music videos at large. It currently has more one billion views on YouTube.
Luis Fonsi feat. Daddy Yankee – "Despacito" (2017)
Before the video was filmed, Fonsi had some requests. Showtime, he wanted 2006's Miss Universe, Zuleyka Rivera, cast to represent "the power of a Latina woman." Next, he wanted the video to celebrate Latin American civilization and amplify the song's soul accurately.
He nailed it. The video perfectly captured the beauty of San Juan, Puerto Rico, and Fonsi and Daddy Yankee serenaded the world with their infectious hit. "Despacito" stands lone on YouTube with more than 6.iv billion views, making information technology the nearly viewed music video of all time.
Prince – "When Doves Weep" (1984)
Doves, flowers and a smoking bathtub all within the showtime ten seconds? It must be Prince. Wearing cipher but a cross around his neck, Prince rose from his bathtub and stared into the camera, holding his hand out for whoever wanted it.
The video featured Prince getting dressed to perform, mixed with scenes from his University Honour-winning stone musical Purple Rain. It was one of the first clips to spark controversy for being besides sexually explicit for Tv set.
Bjork – "Big Time Sensuality" (1993)
This is the video that made Björk a household name, and the premise was simple: Film Björk while she dances on the back of a truck in New York City. Simple or not, it was but bizarre enough to make the video an MTV mainstay in 1993.
The focus was on her tight hairdo, bizarre trip the light fantastic moves and grandiose facial expressions. She was the otherworldly Icelandic pixie on full brandish in the Big Apple tree, and you could most feel her joy climb through the black and white clip.
David Bowie – "Ashes to Ashes" (1980)
In 1980, music videos were still finding their footing. Virtually videos at the fourth dimension showed bands performing their songs equally if they were on some other phase. There weren't a lot of creative special effects used yet. That is, of grade, until Bowie got into the mix.
Bowie was already a creative legend, but music videos gave him the chance to push boundaries even further. The opulent, otherworldly clip toll more than than $425,000 to brand, making it one of the almost expensive music videos of all time.
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